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Gary Snyder


Via the Poetry Foundation
''A noted member of the “Beat Generation,” Gary Snyder has explored a wide range of social and spiritual matters in both poetry and prose...''
''Snyder’s work blends physical reality and precise observations of nature with inner insight received primarily through the practice of Zen Buddhism. While Snyder has gained attention as a spokesman for the preservation of the natural world and its earth-conscious cultures, he is not simply a “back-to-nature” poet with a facile message. In American Poetry in the Twentieth Century, Kenneth Rexroth observed that although Snyder proposes “a new ethic, a new esthetic, [and] a new life style,” he is also “an accomplished technician who has learned from the poetry of several languages and who has developed a sure and flexible style capable of handling any material he wishes.” According to Charles Altieri in Enlarging the Temple: New Directions in American Poetry during the 1960s, Snyder’s achievement “is a considerable one. Judged simply in aesthetic terms, according to norms of precision, intelligence, imaginative play, and moments of deep resonance, he easily ranks among the best poets of his generation. Moreover, he manages to provide a fresh perspective on metaphysical themes, which he makes relevant and compelling.”'' ...
''Kerouac modeled his character Japhy Ryder in The Dharma Bums on Snyder, and the poet encouraged his friends to take an interest in Eastern philosophy as an antidote to the ills of the West. Just as the Beats were gaining nation-wide notoriety, Snyder moved to Japan in 1956 on a scholarship from the First Zen Institute of America. He remained abroad almost continuously for the next twelve years. Part of that time he lived in an ashram and devoted himself to strenuous Zen study and meditation. He also travelled extensively, visiting India and Indonesia, and even venturing as far as Istanbul on an oil tanker, the Sappa Creek. His first two poetry collections, Riprap (1959) and Myths & Texts (1960), are miniature narratives capturing Snyder’s travels and life working in the natural world; they also represent a vigorous attempt to achieve freedom from the “establishment” mores of urban America. After returning to the United States, Snyder built his own house—along the Yuba River in the northern Sierra Nevada Mountains—where he has lived since.''
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[[Category:Earth Art]]
[[Category:Eco-ethics]]
[[Category:Eco-ethics]]
[[Category:Eco-Spirituality]]
[[Category:Green Graphics]]
[[Category:Green Graphics]]
[[Category:Green Values]]
[[Category:Green Values]]
[[Category:Nature]]
[[Category:Nature]]
[[Category:Planet Citizen]]

Revision as of 14:22, 1 October 2023


Gary Snyder

Via the Poetry Foundation

A noted member of the “Beat Generation,” Gary Snyder has explored a wide range of social and spiritual matters in both poetry and prose...

Snyder’s work blends physical reality and precise observations of nature with inner insight received primarily through the practice of Zen Buddhism. While Snyder has gained attention as a spokesman for the preservation of the natural world and its earth-conscious cultures, he is not simply a “back-to-nature” poet with a facile message. In American Poetry in the Twentieth Century, Kenneth Rexroth observed that although Snyder proposes “a new ethic, a new esthetic, [and] a new life style,” he is also “an accomplished technician who has learned from the poetry of several languages and who has developed a sure and flexible style capable of handling any material he wishes.” According to Charles Altieri in Enlarging the Temple: New Directions in American Poetry during the 1960s, Snyder’s achievement “is a considerable one. Judged simply in aesthetic terms, according to norms of precision, intelligence, imaginative play, and moments of deep resonance, he easily ranks among the best poets of his generation. Moreover, he manages to provide a fresh perspective on metaphysical themes, which he makes relevant and compelling.” ...

Kerouac modeled his character Japhy Ryder in The Dharma Bums on Snyder, and the poet encouraged his friends to take an interest in Eastern philosophy as an antidote to the ills of the West. Just as the Beats were gaining nation-wide notoriety, Snyder moved to Japan in 1956 on a scholarship from the First Zen Institute of America. He remained abroad almost continuously for the next twelve years. Part of that time he lived in an ashram and devoted himself to strenuous Zen study and meditation. He also travelled extensively, visiting India and Indonesia, and even venturing as far as Istanbul on an oil tanker, the Sappa Creek. His first two poetry collections, Riprap (1959) and Myths & Texts (1960), are miniature narratives capturing Snyder’s travels and life working in the natural world; they also represent a vigorous attempt to achieve freedom from the “establishment” mores of urban America. After returning to the United States, Snyder built his own house—along the Yuba River in the northern Sierra Nevada Mountains—where he has lived since.


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